"Listen up," I said to Victor, slamming my pint glass down upon the dented, dusty table. "What I'm about to tell you is the most important thing you'll ever hear."
"All right," said Victor.
"And you already know it," I said, "but you don't know you know it."
"Okay," said Victor.
"But I know it, and I know you know it," I said. "You're waiting for me to tell you. Or someone else, maybe. But it's there, in you. You just haven't seen it for yourself and I'm tired of looking at it. So I'm going to tell you."
"All right," said Victor.
"Look around you," I said. "What do you see?"
Victor looked around. I looked around. It wasn't anything new for either of us, just another Monday night at Chancellor's. Sure, it's been a long time since our last visit. Things have changed, we've changed, our lives have moved on. But Chancellor's... well, Chancellor's is like a diamond, or what the diamonders want us to think of diamonds: Chancellor's is forever. Mick, the bartender, he's new. And Chloe's new, too. But they're not new, as I liked to tell Victor. Sure, they didn't work here six months ago. But they fill a role that never changes; they embody archetypes that are always a part of Chancellor's.
"I see a guy throwing up all over the jukebox," said Victor. He pointed. Sure enough, a fat man was doubled over near the jukebox, with sweaty, scraggly hair cascading down the sides of his head and chunky yellow vomit gushing forth from his mouth, which opened and closed like an automatic garage door whose opener serves as a dance floor for the cat, splattering in viscous puddles around the base of the jukebox.
"Hm," I said.
I'd been bringing Victor to Chancellor's for nearly eight years now. We kept on coming back, ostensibly because we enjoyed each other's company, but lately, I'd begun to suspect there were other reasons. By now Victor and I were so familiar with each other that we did not really require the presence of the other to be together. That is, our actions, reactions, and interactions were so known to each other, that we could invoke the presence of the other simply through thought.
It was a preparation for death, I suppose. If fate decides that we should die apart, the one who passes shall live a little longer in the memory of the one who remains, as he sits, alone in the eyes of those who do not know him, in the company of the one who has passed. Reliving an old conversation, perhaps, filled with laughter and frivolity; or perhaps living in a new conversation, anticipating and filling in the reactions of his companion.
Our friendship had burst the chains of life, and reforged itself, tempered against the flame of death. Neither of us would ultimately survive, but in memory, in vivid re-enactment, lucid re-imagining, one of us would cheat death.
"He's dying," said Victor.
"What?" I said.
"The chucker," said Victor. "The chucker by the jukebox."
"Yes," I said. "We all are."
"Yeah," said Victor, "but he's dying faster."
"What do you mean?" I said.
"Well, look at him, man," said Victor. "He's less than he could be. I mean, you know why we're here, but what's he doing here? He's not any older than us. He isn't a cripple, or a tard or anything. There's nothing wrong with that guy. But here is is, wasted to the point of hurling, and for what? He's all by himself, he is. There's nobody here for him, even to drive him home."
"How do you know?" I said.
"I know things," said Victor. "I notice things. Look, he doesn't even know Mick. Who's gonna call him a cab? I mean, Mick will eventually, but if that was you or me, Mick would take care of it."
"So he's not just a drunk," I said, "but he's got no friends, either?"
"It's worse than that," said Victor. "You and I don't have any friends in here."
"What?" I said. "Mick's our friend. So is Erwin."
"Nah," said Victor. "Just 'cause they know our names doesn't mean they're our friends."
"What more does it take?" I asked.
"Willingness."
"Willingness?"
"Willingness."
"Look," I said. "I'm the enigmatic one. You don't get to speak in riddles. Out with it, yo."
"That's right," said Victor. "Okay, there's a willingness that defines friendship. A willingness to sacrifice, a willingness to put oneself out to convenience another. Mick might call us a cab, but he wouldn't pay for it, see?"
"How do you know?" I asked.
"I know," said Victor.
"You notice things," I said.
"That's right," said Victor. "A friend is willing, as needed, to put his friend above himself."
"That may be true," I said, "but there's more shades of friendship than you're letting on about."
"Of course," said Victor. "There's an important shade I haven't mentioned. That's what we have here."
"What's that?" I said.
"I'll tell you in a minute," said Victor. He slid himself out of the booth, and ambled over to the jukebox. Victor put his hand on the back of the vomiting man, and handed him a napkin, one of Chancellor's white cloth napkins, the good ones that only the regulars get. He motioned to Chloe, and asked her to bring a glass of water. He took the water, and the vomiting man into the men's room.
I sat for a while, by myself, and smiled. I do that, when I'm alone. I smile. I have a lot to smile about, I suppose. Life's been pretty good to me, if we're to list the things it hasn't done to me. It hasn't killed me, or maimed me, or given me a truly debilitating chronic illness. It hasn't taken my good friends away, it hasn't robbed me of family, it hasn't left me to struggle through life with an inferior intellect.
I try not to dwell on what it has done to me, on what good things it's withheld, on the times it's led me down paths which went nowhere, but took from me precious moments; seconds and minutes and years which will never be mine again. No, to think too long on what I've missed, by fate's hand or mine, would lead me to a place I know all too well. My regrets would lead me not far from where I sit and smile, just a couple dozen paces over there, by the wall, to a jukebox caked in another's vomit, where I could stand and drink and try not to remember why it is that I'm standing by a jukebox, drinking.
Victor emerged from the men's room, alone, and came back to our booth, where he slid into his seat.
"Where's what'sisface?" I asked.
"He's finishing up in there," said Victor. "I did what I could. I did what was needed."
"For friendship?" I asked.
"No," said Victor. "For community."
I laid my pen down, between my notepad and my glass of whiskey, turned my eyes up, toward the ceiling, and smiled. Cobwebs laced the air above, spanning the distance from the walls to the ceiling fans. The blades of the fans had long since deteriorated into nothing, leaving behind a skeletal frame, an echo of a once useful thing. It sat now, unmoving, casting shadows and outlines upon the floor and tables of Chancellor's, reminding us of its glorious, useful, notable past. A past filled with action, and memories, and utility. And now: hollow, empty, uselessness.
I stared across the table at the worn, torn, dusty cracked leather of the booth. Victor was sitting in it, still, I saw him. "Community," he said. More than community, though, was presence; the one sustaining the other, propping one up when the other stumbled, ensuring a future for each other.
"Community," I said, quietly, breaking my smile to utter the word, "presence, and place."
"Community," said Victor, picking my smile up from where I had left it, "presence, and place."